Saving Scottsdale Art: Todd Pierce

Artist Todd Pierce

In a generous mood, recognizing the toll the recent shut down has taken on the art community in Scottsdale, well-known pictogram artist Todd Pierce has a once-in-lifetime offer to help save art in Scottsdale. He is offering his entire Scottsdale inventory at special prices for those who want to help save the arts district in Scottsdale. As a patron of the arts, his work is unique in the spirit of Andy Warhol and Shepard Fairey. His use of pictograms (universal sign images he designed) are particularly distinctive.

Contact us right away for incredible pricing on these fashionable works and feel good that you’ve helped save the arts in Scottsdale. This generous offer only lasts until Labor Day, September 7th, so call us before your favorite is gone.


Call 480-941-8500 or email art@bonnerdavid.com


Click below to browse available artwork:

Click to browse available artwork by Todd Pierce


Heir to Warhol and the 1960’s counter-culture, Todd Pierce advocates that “a picture is worth a thousand words.” His Pictogram Art attempts to capture today’s popular culture through universal iconography.

A pictogram is a pictorial symbol that conveys a word, a phrase or an idea. Since the dawn of humanity, pictographs have been used as the earliest known form of writing. They usually transcend culture and can help speakers of different languages communicate more effectively. Better known as “icons” in contemporary communication, pictograms have been popularized through the use of computer and phone technology.

Todd Pierce has embraced these modern symbols and has turned them into universal pop art. He purposely takes these emblems out of their original intended context and gives them new meaning. Pierce resolutely wants his art to be a bridge between languages, cultures, social status, and age.


Todd Pierce artwork "Icon of an Icon" mixed media

“Icon of an Icon” mixed media 77” x 39” $9,500

Now $4,750


Contact Us


BONNER DAVID GALLERIES
7040 E. Main St. I Scottsdale, AZ 85251  
480. 941. 8500
22 E 81st Street #1 I  New York, NY 10028   
929. 226. 7800

Gail Morris “Western Exposures”

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Bonner David Galleries is excited to announce landscape artists, Gail Morris’ latest solo show, “Western Exposures.” Her work is characterized by the way she utilizes bold, vivid colors to create stark, minimalistic scenery, simulating the momentary emotions evoked by a first impression. This year, will feature paintings inspired by her recent travels, particularly throughout the West. In addition to viewing many beautiful scenes, she had the opportunity to take several trips in small planes, allowing her to gain a new perspective of the surrounding scenery. This bird’s-eye view is evident in several of her new pieces, as she finds beautiful and interesting ways to translate landscape to distinguished works of art.

Morris’ distinct style provides a fresh and sophisticated take on the western landscape, which she loves and adores.This show opens on March 6th, with a special artist reception from 6-9pm. The show will be on display in the gallery through March 17th, so make sure not to miss out.

Ron Burns “Dogipedia”

Painter Ron Burns has become known for his colorful portraits of man’s best friend and his uncanny ability to capture an animal’s unique soul and personality on canvas. His much loved portraits can be seen in both public and private collections around the world.

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This year Ron Burns is continuing his work with the Arizona Humane Society with a portrait of Ryder, a two year-old rescued pit bull. Ryder was found by cops severely starved and hanging from a door handle, with scars on her face from years of abuse. Unable to even stand when she first arrived to the Humane Society, she was carefully nurtured back to health by loving caretakers. Now returning to health, everyone is hopeful that Ryder will have a second chance to live a happy life with a loving family. Her portrait, which depicts her in the setting of her “furever home,” will be debuted during Ron Burns show opening on Thursday, December 5, 2013 from 6-9pm.

Also on that Thursday night, there will be a raffle held for a chance to win a limited edition holiday print. All proceeds from the raffle will be donated to the Arizona Humane Society to help them in their efforts to rescue more animals in need like Ryder.

The show will run from December 5th through the 16th. Make sure to mark your calendars so you don’t miss out!

 

DEARFRIENDSFLYER

Max Hammond “Pieces of Her Presence”

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Pieces of her presence | Max Hammond

thirty seconds of respite.
just enough time to,
ease the pain in her calves.
colorful bags piled at her feet,
she eases her toes from steep shoes.
a cup of expensive coffee
in a cheap foam cup,
steams in the light from an overhead window.
alone, behind sunglasses
her little sanctuary..
she sips with her eyes the guilty pleasure of
watching people.
here they are, a parade of purposeful humanity.
possessing a direction of sorts
until, distracted by a giant photo in a window
of all things to fill their emptiness.
a vague roller coaster of chronology,
projects in need of completion.
Disembodied, they have a cadence…
the pluckish angel, the unaware, the entitled, the ones beaten up
one too many times by life.
opposite her is a divergence,
a rock in the stream
a dress with no pattern
faces in shadow
others, illuminated by so many sources
that features are indistinguishable from the background
from a window seat across the atrium
she feels a gaze
discomfited, she moves her eyes without turning her head…
a man in paint smeared clothes
is sketching.

In today’s art world, the term “abstract” is used abundantly, often with the assumption that abstract art is about nothing. However, artist Max Hammond does not view his work this way, nor does he want those who view his work to see it that way. For him, the word abstract is used too loosely, diluting the meaning of it.

For his upcoming show, Hammond hopes to visually educate viewers about his art and “abstract” art.  It’s often assumed that abstract art and non-representational art are one and the same. However, he wants people to understand that, “abstract art is about something, it is abstracted from something.” In contrast, he defines non-representational art as a “more formal painting style that has an emotional base, yet is not abstracted from an object, figure or landscape.”

Max Hammond studied figurative painting while earning his bachelors degree from the University of Utah. There he received a very traditional training, with a strong focus on drafting skills, emphasizing classical figure drawing. Later, while working towards his M.F.A from Arizona State University, a professor made a suggestion. Noticing that Hammond’s work had a strong focus on formal elements, such as color, texture and line, his professor made a comment that he should remove the figure altogether and paint pure abstract.

Hammond took this comment to heart and started experimenting with a new style. This new, sculptural way of painting was exciting and freeing. At that point he did away with his old thesis and started over, creating a completely new thesis show. It wasn’t until several years later that he reintroduced the figure into his work. Since then, he has continued to experiment with abstracting his figures.

By placing two works, side-by-side, one abstracted female figure and the other completely abstracted to the point where the “figure is almost or completely lost in the paint,” Hammond is able to help the viewer understand his process better. In doing so, he is informing people that his work is not empty, but carefully constructed with a specific idea in mind.

For Hammond, the process of creating abstract art is not a linear process. He begins by sketching a basic layout for his painting and then roughing out the first layers. After that, the rest of his process is a constant balancing act, adding layer after layer and then reassessing and adding or subtracting more layers to maintain balance.

Hammond’s art is intended to have meaning further than just the emotions it evokes. How each viewer reads his work may vary, but his goal remains the same. He may be inspired by his wife, people watching as they go to lunch, or by the figures he sees walking down the street; but whatever the original inspiration, each painting he creates is has a meaning and a subject, whether identifiable or not, it is always about something.

Max Hammond’s show opens on November 7th at 6pm with a special artist reception until 9pm. On Saturday, November 9th, from 10-2pm Max Hammond will be in the gallery for a Conversation with the artist and will be talking more in depth about his new series and the concept behind it. His show will hang in the gallery through November 29th.